😊~ SPREAD THE WORD ~ 😊
Why do what you will regret?
Why bring tears upon yourself?
Do only what you do not regret,
and fill yourself with joy.
Life of the Buddha
According to traditional dating, Shakyamuni Buddha (Shakya thub-pa), also known as Gautama Buddha (Gau-ta-ma), lived from 566 to 485 BCE in central north India. Buddhist sources contain numerous, varying accounts of his life, with further details appearing only gradually over time. Since the first Buddhist literature was written down three centuries after Buddha’s passing away, it is difficult to ascertain the accuracy of any of the details found in these accounts. Further, just because certain details emerged in written form later than others is not a sufficient reason to discount their validity. Many details could have continued being passed down in oral form after others were written down[…]
The earliest sources for the life of the Buddha include, within the Theravada scriptures, several Pali suttas from The Collection of Middle-Length Discourses (Pali: Majjhima Nikaya) and, from the various Hinayana schools, several Vinaya texts concerning monastic rules of discipline. Each of these texts, however, gives only pieces of Buddha’s life story.
100% courtesy of NeuroscienceNews.com’s article: http://neurosciencenews.com/author/neurosciencenew/
Summary: Neurons found to be abnormal in psychosis play an important role in our ability to distinguish between what is real and what is perceived, researchers say.
Source: University of Western Ontario.
New Western University research shows that neurons in the part of the brain found to be abnormal in psychosis are also important in helping people distinguish between reality and imagination.
The researchers, Dr. Julio Martinez-Trujillo, principal investigator and professor at Western University’s Schulich School of Medicine & Dentistry and Dr. Diego Mendoza-Halliday, postdoctoral researcher at M.I.T., investigated how the brain codes visual information in reality versus abstract information in our working memory and how those differences are distributed across neurons in the lateral prefrontal cortex region of the brain. The results were published today in Nature Communications.
“You can look at my shirt, and then if I move out of your vision, even with your eyes open you can still see the colour of my shirt in your mind,” explained Martinez-Trujillo, based at the Brain and Mind Institute and Robarts Research Institute at Western University. “That is what we call working memory representations or short-term memory representations – they are abstract, they are imaginary and they don’t exist in reality, but in our minds. Real objects in our visual field, we call perceptual representations. We are trying to determine whether there are neurons in the brain that can signal to a person whether a representation is real or imaginary.”
“The huge, red star Betelgeuse , which marks the hunter’s shoulder in the constellation Orion, may have swallowed up a companion star not long ago, a new study suggests.
Betelgeuse is a “red supergiant” that will soon die in a supernova explosion. As the name of its stellar class indicates, Betelgeuse has bloated immensely as the end of its life has neared. Although Betelgeuse’s mass is just 15 to 25 times that of the sun, the star is currently about 860 million miles across, or 1,000 times wider than Earth’s star. (If you put Betelgeuse in the sun’s location, the red star’s surface would extend past the orbit of Mars and into the asteroid belt.)
Such an enormous star should be spinning slowly, since rotation rate decreases as size increases. (Think about how ice-skaters control their spin speed by bringing their arms in close to their body or extending them.) But that’s not the case with Betelgeuse, which is rotating at a blazing 33,500 mph, astronomers said.
“We cannot account for the rotation of Betelgeuse,” study lead author J. Craig Wheeler, an astronomer at the University of Texas at Austin, said in a statement. “It’s spinning 150 times faster than any plausible single star just rotating and doing its thing.”
But Wheeler and his colleagues may have an answer. Their computer models suggest that Betelgeuse’s puzzling spin could be explained if the giant gobbled up a companion roughly the same mass as the sun 100,000 years or so ago. (The angular momentum of the companion’s orbit would be transferred to Betelgeuse, speeding up the giant’s rotation to its current rate.)
This act of cannibalism likely would have spurred a cosmic belch of sorts, causing Betelgeuse to blast a cloud of material out into space at about 22,400 mph, Wheeler said. Indeed, astronomers have spotted a shell of matter at roughly the distance from Betelgeuse that this scenario predicts, he added.
Although there are other possible explanations for this space cloud, “the fact is, there is evidence that Betelgeuse had some kind of commotion on roughly this timescale,” Wheeler said.
Betelgeuse lies about 640 light-years from the sun. Like other supergiants, it will die young; the star is only about 10 million years old. The sun, by contrast, is nearly 4.6 billion years old and is only about halfway through its life.
The new study was published on Dec. 19 in the journal Monthly Notices of the Royal Astronomical Society.”
(Reuters) -Leon Russell, who emerged in the 1970s as one of rock ‘n’ roll’s most dynamic performers and songwriters after playing anonymously on dozens of pop hits as a much-in-demand studio pianist in the 1960s, died on Sunday at age 74.
Russell, who was inducted into the Rock and Roll Hall of Fame in 2011, died in his sleep in Nashville, Tennessee, his wife said in a statement on his website.
Russell suffered health problems in his later years, having surgery to stop leaking brain fluid in 2010 and suffering a heart attack in July 2016.
“He was recovering from heart surgery in July and looked forward to getting back on the road in January,” said his wife, Jan Bridges.
Russell’s period of stardom as a performer was relatively brief, but Elton John, who had once been Russell’s opening act, engineered a comeback for him in 2010 when they collaborated on an album titled “The Union.”
“He was my biggest influence as a piano player, a singer and a songwriter,” John told ABC News.
Russell recorded more than 35 albums and also excelled as a songwriter for other performers. His “A Song for You” was recorded by Joe Cocker, the Carpenters, the Temptations, Neil Diamond, Lou Rawls, Dusty Springfield, Ray Charles, Aretha Franklin and good friend Willie Nelson. The Carpenters, Helen Reddy, Shirley Bassey, Robert Goulet and George Benson all covered Russell’s “This Masquerade,” with Benson’s version winning the 1976 Grammy as record of the year.
Russell was known as “the master of space and time” in his 1970s heyday. He wore a cocked top hat, and with salt-and-pepper hair past his shoulders and a beard that reached his chest, created an inscrutable image that was equal parts shaman, tent revival preacher and cosmic ringmaster.
He ruled the stage with piano-banging abandon and, backed by a multi-piece band and a backup chorus, put on a show that was a roiling stew of rock, soul, gospel and country.
Russell’s last performance was July 10 in Nashville
Pomegranate, Cake, Cheesecake
Maui street musician/busker, Kekoa Alama, plays Matisyahu’s “One Day” in a Paia coffee shop, completely unaware that the audience member singing along is actually Matisyahu (who was on Maui for a 2 day music festival at the MACC).
Gonna miss this president …. bigtime ….
( jump to 3:28 where the real magic begins … )
(from ultimateclassicrock.com) “Since Prince‘s death, the video of the night he blew up the 2004 Rock and Roll Hall of Fame induction ceremony with a performance of the Beatles‘ “While My Guitar Gently Weeps” has been shared ad infinitum on social media. Now, some of the musicians and other people involved in the event, including Tom Petty, have remembered that performance in a new oral history.
As the New York Times reports, it came together when Joel Gallen, the producer and director of the ceremony, wrote to Prince asking him to play lead guitar — he was already going to be there because he was being inducted. But when it came time to rehearse, there were problems. Marc Mann, Jeff Lynne‘s guitarist, recreated Eric Clapton’s famous solo in the middle note-for-note. “And we get to the big end solo,” Gallen says, “and Prince again steps forward to go into the solo, and this guy starts playing that solo too!”
Before leaving, Prince reassured Gallen that, even though they didn’t get to rehearse it the way Gallen envisioned it, everything would be fine when it came time to the performance. Let Mann do the first solo, he told Gallen, and he would take over for the end. “They never rehearsed it, really,” Gallen continued. “Never really showed us what he was going to do, and he left, basically telling me, the producer of the show, not to worry. And the rest is history. It became one of the most satisfying musical moments in my history of watching and producing live music.”
The next day, Prince stepped out of the darkness and blew the roof off of the Waldorf-Astoria hotel. Petty, who had a perfect view of the proceedings, recalled it with awe. “You see me nodding at him, to say, ‘Go on, go on,’” he said. “I remember I leaned out at him at one point and gave him a ‘This is going great!’ kind of look. He just burned it up. You could feel the electricity of ‘something really big’s going down here.’”
But there’s still one pressing question from the evening: What happened to the guitar that Prince threw up in the air after his solo? As you can see above, although the camera lingers on Prince for several seconds, it doesn’t seem to land. It’s something that’s puzzzled Steve Ferrone, Petty’s drummer. “I didn’t even see who caught it,” he said. “I just saw it go up, and I was astonished that it didn’t come back down again. Everybody wonders where that guitar went, and I gotta tell you, I was on the stage, and I wonder where it went, too.”